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David Lamble



Post date:
05/01/11- 00:00:00 AM
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My Perestroika

 

Robin Hessman grew up with what for a kid in Reagan’s America was an unhealthy interest in life in the Soviet Union. Her second grade classmates played a game called USA vs. USSR – the girls were the Americans, while the boys played the Russians. Curiosity and a natural contrariness put her with the boys. Soon she was begging her parents to subscribe to Soviet Life Magazine, superficially a dull propaganda organ arriving in a brown paper wrapper (much like The Advocate in those days), she calls it her “political propaganda.” While the prose bled on about ever increasing grain harvests, the magazine’s pictures, often of kids her age, wearing odd uniforms, piqued her interest. A freshman college trip led her to 1991 Leningrad, in time for a political coup against liberalizing leader Mikhail Gorbachev.

The failure of the coup led to the rapid death of the old Soviet Union and the beginning of a veritable political/cultural earthquake for Robin and her close Russian friends.

Hessman’s startlingly personal doc, My Perestroika (opening Friday at the Balboa), is a without precedent, candid look at an American Russophile’s friendship circle: five of Hessman’s friends share their life stories, home movies and political opinions. Because the visual power of the piece derives from super 8 home movies, there is a bias towards those who came from a relatively privileged Communist Party background. The five friends also share the fate of having attended the 130-year-old Moscow School #57, so Hessman is able to flash back and forth between recollections of her nearing middle age friends and rosy cheeked versions of themselves at school, as members of the Young Communist League.

Her subjects all reflect the dizzying emotional vertigo of having virtually everything you were taught as a kid contradicted, overturned or rendered obsolete. Borya and Lyuba are married history teachers – overcoming an ancient taboo about Christians marrying Jews -- who now teach a radically different version of Soviet history than they were taught. The happiest member of the family is burgeoning teen Mark who seems  comfortable as the first generation who can come and go freely with relatively boundless career goals.

Andrei is a member of the new merchant class – his chain of exclusive French clothing stores now has 17 outlets across Russia. Andrei is one of the most critical of the Putin years – he relates a story of how when he enlisted in the army and applied for Communist Party membership he was rejected by a timid bureaucrat. Right then he knew the old system was doomed.

 

 

Olga and Ruslan are the odd people out: Olga is a single, divorced mom eking out a living working in a pool hall. She chain smokes and seems resigned to a less than prosperous future. Ruslan, who used the new openness to start a defiantly rebellious punk band, eventually found his principles compromised even among the punks and now subsists busking in the subway.

Short on paranoia and dispatches about Putin inspired crackdowns, My Perestroika is an engaging, nuanced breath of fresh air where five intelligent citizens can disagree with each other, and for now at least Big Brother.

 

 




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